Trevor Paglen
Trevor Paglen
Handsworth Songs
Wormwood
Is The Museum A Battlefield?
Jenny Holzer
Every Contact Leaves A Trace: Follow The…
Joe Sacco
Submarine Cable Maps
Hito Steyerl
Conflicting Truth
Episode III 'Enjoy Poverty'
The Photographers Gallery
Infoesque
Henrik Moltke
Enron
Absolute Relative
Renzo Martens
Interdependence
Arebyte
Artistic Journalism: An Introduction
Serial
Joseph Steele
Paolo Cirio
Maeve Mcclenaghan
Art As Evidence
A Very Expensive Poison
James Bridle
Kevin B. Lee
Mairav Zonszein
Brothers Of The Gun: Memoirs Of The Syrian War
Dronestagram
Tatiana Bazzichelli
The Heroines Of America’s Black Press
Rojava 2
Safe Area Goražde
Police brutality at the black lives matter protests
Laura Poitras
Journalism Improves When Image Becomes Part Of It
Chloé Galibert-Laîné
Best Of Luck With The Wall
Forensic Architecture
Alfredo Cramerotti
Scare Mail
Hans Haacke
Errol Morris
Solveig Suess
Haroon Siddique
Tax Havens: Normalized Grand Theft
Remaining & Expanding
AECD
The Bureau Of Investigative Journalism
Disruption Network Lab
Ingrid Burrington
Art In The Age Of…asymmetrical Warfare
ICA
Artistic Journalism: Confluence In Forms, Values And Practices
The Intercept
Smoking Gun
Redaction Paintings
Eyebeam Center For The Future Of Journalism
Benjamin Grosser
Navine G. Khan Dossos
Titanpointe: The NSA’s Spy Hub in New York, Hidden in Plain Sight
Goodbye Big Five
Two Meetings and a Funeral
Molly Crabapple
Harun Farocki
Sonia Kennebeck
Mapping Wikipedia
From Message Board To Crowded Bar
Enjoy Poverty Interview With Renzo Martens
Black Audio Film Collective
Bill Posters
The Bristol Cable
Imran Peretta
Josh Begley
National Bird
Reception Study
Palestine
Aesthetic Journalism
Blockchain Risk Board Game Prototype: Capital Markets Digital Asset
Want To Really Block The Tech Giants? Here's How
Chlorine Gas Attacks In Douma
John Akomfrah
Richard Mosse
Mark Duggan Police Shooting: Can Forensic Tech Cast Doubt On Official Report?
Incoming
15 Days
Money Lab
Field Of Vision
Charlotte Cook
Sam Lavigne
Concrete Flux
I Thought I Was Seeing Convicts
Eyebeam
Evidentiary Realism
Naheem Mohaiemen
Ted Hunt
Aesthetic Journalism In Practice
Marisa Mazria Katz
Journalism And Art: Complementary And Collaborative Storytelling
‘They Will Remember Us’: The Miners Of Black Harlan
Sophie Dyer
What Atlanta Can Teach Tech About Cultivating Black Talent
Simon Denny
Field Of Vision: An Interview With Co-creators Laura Poitras, Aj Schnack And Charlotte Cook
Artists create a sinister deepfake of Mark Zuckerberg to teach Facebook (and the rest of USA) a less…
Lucy Prebble
Eyal Weizman
Nick Ryan
Project X
Fast Familiar
Caliphate
Bottled Songs
Jake Charles Rees
In A First, Palestinians Challenge Israel’s Settlement Enterprise—in A USA Court.