Art As Evidence
Art As Evidence
Blockchain Risk Board Game Prototype: Capital Markets Digital Asset
The Bristol Cable
Sam Lavigne
Conflicting Truth
Mapping Wikipedia
Josh Begley
ICA
Bottled Songs
Eyebeam
Joe Sacco
Black Audio Film Collective
‘They Will Remember Us’: The Miners Of Black Harlan
Nick Ryan
Eyal Weizman
From Message Board To Crowded Bar
Artistic Journalism: Confluence In Forms, Values And Practices
Jenny Holzer
Laura Poitras
Brothers Of The Gun: Memoirs Of The Syrian War
Project X
Enron
Journalism And Art: Complementary And Collaborative Storytelling
Interdependence
Maeve Mcclenaghan
Rojava 2
Ingrid Burrington
Chlorine Gas Attacks In Douma
Marisa Mazria Katz
Renzo Martens
Disruption Network Lab
Police brutality at the black lives matter protests
John Akomfrah
Henrik Moltke
Incoming
Eyebeam Center For The Future Of Journalism
Simon Denny
Mark Duggan Police Shooting: Can Forensic Tech Cast Doubt On Official Report?
I Thought I Was Seeing Convicts
Mairav Zonszein
Charlotte Cook
Bill Posters
National Bird
Field Of Vision
Money Lab
Titanpointe: The NSA’s Spy Hub in New York, Hidden in Plain Sight
Sophie Dyer
Kevin B. Lee
Palestine
Scare Mail
Errol Morris
Artistic Journalism: An Introduction
Hans Haacke
Naheem Mohaiemen
Best Of Luck With The Wall
Aesthetic Journalism
Joseph Steele
Paolo Cirio
Solveig Suess
Ted Hunt
Smoking Gun
Goodbye Big Five
Alfredo Cramerotti
Two Meetings and a Funeral
Lucy Prebble
15 Days
Chloé Galibert-Laîné
AECD
Art In The Age Of…asymmetrical Warfare
Evidentiary Realism
Infoesque
Richard Mosse
Caliphate
Tax Havens: Normalized Grand Theft
Concrete Flux
The Intercept
What Atlanta Can Teach Tech About Cultivating Black Talent
Artists create a sinister deepfake of Mark Zuckerberg to teach Facebook (and the rest of USA) a less…
Jake Charles Rees
Haroon Siddique
Trevor Paglen
Remaining & Expanding
Absolute Relative
Journalism Improves When Image Becomes Part Of It
Aesthetic Journalism In Practice
Field Of Vision: An Interview With Co-creators Laura Poitras, Aj Schnack And Charlotte Cook
Episode III 'Enjoy Poverty'
Is The Museum A Battlefield?
Fast Familiar
Every Contact Leaves A Trace: Follow The…
Wormwood
Hito Steyerl
Forensic Architecture
Benjamin Grosser
The Heroines Of America’s Black Press
Want To Really Block The Tech Giants? Here's How
Redaction Paintings
A Very Expensive Poison
Serial
The Photographers Gallery
Harun Farocki
Tatiana Bazzichelli
Dronestagram
Imran Peretta
Arebyte
Handsworth Songs
James Bridle
Safe Area Goražde
Sonia Kennebeck
The Bureau Of Investigative Journalism
Enjoy Poverty Interview With Renzo Martens
Reception Study
Molly Crabapple
Navine G. Khan Dossos
Submarine Cable Maps
In A First, Palestinians Challenge Israel’s Settlement Enterprise—in A USA Court.