Marisa Mazria Katz
Marisa Mazria Katz
Artistic Journalism: An Introduction
Disruption Network Lab
A Very Expensive Poison
Want To Really Block The Tech Giants? Here's How
Ted Hunt
Renzo Martens
Every Contact Leaves A Trace: Follow The…
Tax Havens: Normalized Grand Theft
Nick Ryan
Absolute Relative
Mapping Wikipedia
The Bureau Of Investigative Journalism
Enron
Submarine Cable Maps
Naheem Mohaiemen
What Atlanta Can Teach Tech About Cultivating Black Talent
The Heroines Of America’s Black Press
Incoming
National Bird
Charlotte Cook
Black Audio Film Collective
Chloé Galibert-Laîné
ICA
Forensic Architecture
Eyal Weizman
Money Lab
Artistic Journalism: Confluence In Forms, Values And Practices
Aesthetic Journalism
Field Of Vision: An Interview With Co-creators Laura Poitras, Aj Schnack And Charlotte Cook
Caliphate
AECD
Interdependence
Dronestagram
Sophie Dyer
Benjamin Grosser
Haroon Siddique
Joseph Steele
‘They Will Remember Us’: The Miners Of Black Harlan
Redaction Paintings
Solveig Suess
Kevin B. Lee
Henrik Moltke
The Bristol Cable
Remaining & Expanding
Sonia Kennebeck
Laura Poitras
Serial
Trevor Paglen
Wormwood
Handsworth Songs
The Photographers Gallery
Fast Familiar
Titanpointe: The NSA’s Spy Hub in New York, Hidden in Plain Sight
Harun Farocki
Jake Charles Rees
Art As Evidence
Ingrid Burrington
Tatiana Bazzichelli
Project X
Bottled Songs
Concrete Flux
Imran Peretta
Molly Crabapple
James Bridle
Navine G. Khan Dossos
Hans Haacke
Goodbye Big Five
Bill Posters
Paolo Cirio
The Intercept
Rojava 2
Best Of Luck With The Wall
Brothers Of The Gun: Memoirs Of The Syrian War
Safe Area Goražde
Lucy Prebble
Joe Sacco
Journalism Improves When Image Becomes Part Of It
15 Days
Reception Study
Mairav Zonszein
Alfredo Cramerotti
Arebyte
Sam Lavigne
Mark Duggan Police Shooting: Can Forensic Tech Cast Doubt On Official Report?
Smoking Gun
Maeve Mcclenaghan
Jenny Holzer
Evidentiary Realism
Conflicting Truth
John Akomfrah
In A First, Palestinians Challenge Israel’s Settlement Enterprise—in A USA Court.
I Thought I Was Seeing Convicts
Eyebeam Center For The Future Of Journalism
Aesthetic Journalism In Practice
Episode III 'Enjoy Poverty'
Is The Museum A Battlefield?
Two Meetings and a Funeral
Errol Morris
Field Of Vision
Enjoy Poverty Interview With Renzo Martens
Artists create a sinister deepfake of Mark Zuckerberg to teach Facebook (and the rest of USA) a less…
Journalism And Art: Complementary And Collaborative Storytelling
Infoesque
Palestine
Josh Begley
From Message Board To Crowded Bar
Scare Mail
Police brutality at the black lives matter protests
Simon Denny
Eyebeam
Richard Mosse
Art In The Age Of…asymmetrical Warfare
Blockchain Risk Board Game Prototype: Capital Markets Digital Asset
Chlorine Gas Attacks In Douma
Hito Steyerl