
Trevor Paglen
Trevor Paglen
Kevin B. Lee
Naheem Mohaiemen
Harun Farocki
Tatiana Bazzichelli
AECD
The Heroines Of America’s Black Press
Project X
The Intercept
Hans Haacke
From Message Board To Crowded Bar
In A First, Palestinians Challenge Israel’s Settlement Enterprise—in A USA Court.
Conflicting Truth
John Akomfrah
Enron
Sophie Dyer
Field Of Vision
Field Of Vision: An Interview With Co-creators Laura Poitras, Aj Schnack And Charlotte Cook
Josh Begley
‘They Will Remember Us’: The Miners Of Black Harlan
Mark Duggan Police Shooting: Can Forensic Tech Cast Doubt On Official Report?
The Bristol Cable
Dronestagram
Forensic Architecture
Disruption Network Lab
Aesthetic Journalism In Practice
Every Contact Leaves A Trace: Follow The…
Marisa Mazria Katz
Reception Study
Paolo Cirio
Police brutality at the black lives matter protests
James Bridle
Redaction Paintings
Hito Steyerl
Mairav Zonszein
Bottled Songs
Brothers Of The Gun: Memoirs Of The Syrian War
Eyal Weizman
Ted Hunt
The Photographers Gallery
Money Lab
Mapping Wikipedia
Smoking Gun
Artists create a sinister deepfake of Mark Zuckerberg to teach Facebook (and the rest of USA) a less…
Evidentiary Realism
Chloé Galibert-Laîné
Nick Ryan
Artistic Journalism: An Introduction
Laura Poitras
Submarine Cable Maps
Journalism And Art: Complementary And Collaborative Storytelling
Chlorine Gas Attacks In Douma
Best Of Luck With The Wall
I Thought I Was Seeing Convicts
Sam Lavigne
Alfredo Cramerotti
Fast Familiar
Rojava 2
Bill Posters
Concrete Flux
Is The Museum A Battlefield?
Tax Havens: Normalized Grand Theft
Maeve Mcclenaghan
Two Meetings and a Funeral
Richard Mosse
Blockchain Risk Board Game Prototype: Capital Markets Digital Asset
Sonia Kennebeck
Wormwood
ICA
Interdependence
Ingrid Burrington
Caliphate
Eyebeam
Black Audio Film Collective
Eyebeam Center For The Future Of Journalism
Navine G. Khan Dossos
Haroon Siddique
Palestine
Solveig Suess
Infoesque
Joe Sacco
Incoming
Art As Evidence
Imran Peretta
Charlotte Cook
Jenny Holzer
Goodbye Big Five
Lucy Prebble
Jake Charles Rees
Enjoy Poverty Interview With Renzo Martens
Renzo Martens
Scare Mail
A Very Expensive Poison
Journalism Improves When Image Becomes Part Of It
Episode III 'Enjoy Poverty'
Serial
Aesthetic Journalism
Molly Crabapple
Art In The Age Of…asymmetrical Warfare
Benjamin Grosser
The Bureau Of Investigative Journalism
Want To Really Block The Tech Giants? Here's How
Titanpointe: The NSA’s Spy Hub in New York, Hidden in Plain Sight
Absolute Relative
Errol Morris
Artistic Journalism: Confluence In Forms, Values And Practices
Handsworth Songs
Joseph Steele
Arebyte
Henrik Moltke
15 Days
What Atlanta Can Teach Tech About Cultivating Black Talent
Simon Denny
Remaining & Expanding
National Bird
Safe Area Goražde