A Very Expensive Poison
A Very Expensive Poison
Reception Study
Joe Sacco
Rojava 2
Submarine Cable Maps
Art As Evidence
Harun Farocki
Haroon Siddique
James Bridle
Scare Mail
Is The Museum A Battlefield?
Mairav Zonszein
Field Of Vision
Smoking Gun
Remaining & Expanding
John Akomfrah
Titanpointe: The NSA’s Spy Hub in New York, Hidden in Plain Sight
Redaction Paintings
Disruption Network Lab
Wormwood
Want To Really Block The Tech Giants? Here's How
15 Days
Benjamin Grosser
Eyebeam Center For The Future Of Journalism
Hito Steyerl
Joseph Steele
Aesthetic Journalism
Project X
Simon Denny
ICA
Enron
Tax Havens: Normalized Grand Theft
Mark Duggan Police Shooting: Can Forensic Tech Cast Doubt On Official Report?
Jenny Holzer
From Message Board To Crowded Bar
Renzo Martens
Fast Familiar
Absolute Relative
Journalism And Art: Complementary And Collaborative Storytelling
Solveig Suess
The Bureau Of Investigative Journalism
Incoming
Alfredo Cramerotti
Enjoy Poverty Interview With Renzo Martens
Josh Begley
Lucy Prebble
Bill Posters
Interdependence
‘They Will Remember Us’: The Miners Of Black Harlan
Naheem Mohaiemen
Artists create a sinister deepfake of Mark Zuckerberg to teach Facebook (and the rest of USA) a less…
Sam Lavigne
Laura Poitras
Conflicting Truth
Two Meetings and a Funeral
Trevor Paglen
Artistic Journalism: An Introduction
Police brutality at the black lives matter protests
Kevin B. Lee
The Intercept
Imran Peretta
National Bird
AECD
Henrik Moltke
Marisa Mazria Katz
Eyebeam
Chlorine Gas Attacks In Douma
Eyal Weizman
Blockchain Risk Board Game Prototype: Capital Markets Digital Asset
Brothers Of The Gun: Memoirs Of The Syrian War
Errol Morris
Hans Haacke
Mapping Wikipedia
Ted Hunt
Paolo Cirio
Arebyte
Concrete Flux
The Heroines Of America’s Black Press
Field Of Vision: An Interview With Co-creators Laura Poitras, Aj Schnack And Charlotte Cook
Sophie Dyer
Molly Crabapple
Best Of Luck With The Wall
The Photographers Gallery
Money Lab
Chloé Galibert-Laîné
Handsworth Songs
Dronestagram
Bottled Songs
Sonia Kennebeck
Palestine
Jake Charles Rees
The Bristol Cable
In A First, Palestinians Challenge Israel’s Settlement Enterprise—in A USA Court.
Journalism Improves When Image Becomes Part Of It
Caliphate
I Thought I Was Seeing Convicts
Tatiana Bazzichelli
Evidentiary Realism
Black Audio Film Collective
Richard Mosse
Every Contact Leaves A Trace: Follow The…
Art In The Age Of…asymmetrical Warfare
Forensic Architecture
Nick Ryan
Maeve Mcclenaghan
Charlotte Cook
Goodbye Big Five
Artistic Journalism: Confluence In Forms, Values And Practices
Safe Area Goražde
Serial
Infoesque
Episode III 'Enjoy Poverty'
Ingrid Burrington
What Atlanta Can Teach Tech About Cultivating Black Talent
Navine G. Khan Dossos
Aesthetic Journalism In Practice