ICA
DATABASE
Enjoy Poverty Interview With Renzo Martens
Ted Hunt
Field Of Vision: An Interview With Co-creators Laura Poitras, Aj Schnack And Charlotte Cook
Police brutality at the black lives matter protests
Richard Mosse
Henrik Moltke
Arebyte
Paolo Cirio
Smoking Gun
Jenny Holzer
Sophie Dyer
Eyebeam Center For The Future Of Journalism
Kevin B. Lee
Caliphate
15 Days
Absolute Relative
Bill Posters
Serial
AECD
Joe Sacco
Remaining & Expanding
Artistic Journalism: An Introduction
Art As Evidence
Eyal Weizman
Benjamin Grosser
Aesthetic Journalism
Handsworth Songs
Nick Ryan
Redaction Paintings
Mapping Wikipedia
Infoesque
Dronestagram
Interdependence
Money Lab
Safe Area Goražde
Navine G. Khan Dossos
Haroon Siddique
Renzo Martens
The Bureau Of Investigative Journalism
Evidentiary Realism
Two Meetings and a Funeral
Hans Haacke
Eyebeam
Brothers Of The Gun: Memoirs Of The Syrian War
Project X
Wormwood
Artistic Journalism: Confluence In Forms, Values And Practices
Maeve Mcclenaghan
Goodbye Big Five
Aesthetic Journalism In Practice
Palestine
Every Contact Leaves A Trace: Follow The…
Imran Peretta
What Atlanta Can Teach Tech About Cultivating Black Talent
Enron
Disruption Network Lab
Tatiana Bazzichelli
Solveig Suess
Bottled Songs
Naheem Mohaiemen
Blockchain Risk Board Game Prototype: Capital Markets Digital Asset
Incoming
Is The Museum A Battlefield?
Alfredo Cramerotti
Josh Begley
Simon Denny
Charlotte Cook
‘They Will Remember Us’: The Miners Of Black Harlan
Journalism And Art: Complementary And Collaborative Storytelling
From Message Board To Crowded Bar
Conflicting Truth
Sam Lavigne
I Thought I Was Seeing Convicts
Best Of Luck With The Wall
Scare Mail
Tax Havens: Normalized Grand Theft
Hito Steyerl
Rojava 2
Reception Study
Sonia Kennebeck
Black Audio Film Collective
Concrete Flux
Joseph Steele
Lucy Prebble
Trevor Paglen
Molly Crabapple
Fast Familiar
Harun Farocki
National Bird
Errol Morris
Marisa Mazria Katz
A Very Expensive Poison
Journalism Improves When Image Becomes Part Of It
Art In The Age Of…asymmetrical Warfare
In A First, Palestinians Challenge Israel’s Settlement Enterprise—in A USA Court.
The Bristol Cable
Artists create a sinister deepfake of Mark Zuckerberg to teach Facebook (and the rest of USA) a less…
Submarine Cable Maps
Forensic Architecture
Ingrid Burrington
Mark Duggan Police Shooting: Can Forensic Tech Cast Doubt On Official Report?
Episode III 'Enjoy Poverty'
Field Of Vision
The Intercept
Want To Really Block The Tech Giants? Here's How
Chlorine Gas Attacks In Douma
John Akomfrah
Chloé Galibert-Laîné
The Photographers Gallery
Mairav Zonszein
The Heroines Of America’s Black Press
James Bridle
Jake Charles Rees
Laura Poitras
Titanpointe: The NSA’s Spy Hub in New York, Hidden in Plain Sight