Imran Peretta
Imran Peretta
Infoesque
The Heroines Of America’s Black Press
AECD
Evidentiary Realism
Goodbye Big Five
Mairav Zonszein
Caliphate
Trevor Paglen
Smoking Gun
Sam Lavigne
Harun Farocki
Benjamin Grosser
James Bridle
National Bird
Maeve Mcclenaghan
Every Contact Leaves A Trace: Follow The…
Henrik Moltke
Art As Evidence
Paolo Cirio
From Message Board To Crowded Bar
Conflicting Truth
Enjoy Poverty Interview With Renzo Martens
Simon Denny
Arebyte
Reception Study
Solveig Suess
Remaining & Expanding
Interdependence
Josh Begley
Kevin B. Lee
I Thought I Was Seeing Convicts
Disruption Network Lab
Eyebeam Center For The Future Of Journalism
Concrete Flux
Journalism Improves When Image Becomes Part Of It
Richard Mosse
In A First, Palestinians Challenge Israel’s Settlement Enterprise—in A USA Court.
Is The Museum A Battlefield?
Chloé Galibert-Laîné
The Bristol Cable
Errol Morris
Episode III 'Enjoy Poverty'
Hito Steyerl
Renzo Martens
Bottled Songs
Enron
Police brutality at the black lives matter protests
Jenny Holzer
Titanpointe: The NSA’s Spy Hub in New York, Hidden in Plain Sight
Lucy Prebble
Joseph Steele
Nick Ryan
Brothers Of The Gun: Memoirs Of The Syrian War
Fast Familiar
Navine G. Khan Dossos
ICA
‘They Will Remember Us’: The Miners Of Black Harlan
Scare Mail
Redaction Paintings
Hans Haacke
Safe Area Goražde
Serial
Field Of Vision: An Interview With Co-creators Laura Poitras, Aj Schnack And Charlotte Cook
John Akomfrah
What Atlanta Can Teach Tech About Cultivating Black Talent
Absolute Relative
Ted Hunt
Handsworth Songs
Laura Poitras
Incoming
15 Days
Marisa Mazria Katz
Jake Charles Rees
Artistic Journalism: Confluence In Forms, Values And Practices
Sophie Dyer
Palestine
Tax Havens: Normalized Grand Theft
Field Of Vision
A Very Expensive Poison
Alfredo Cramerotti
Chlorine Gas Attacks In Douma
Two Meetings and a Funeral
Naheem Mohaiemen
Best Of Luck With The Wall
Rojava 2
Bill Posters
Sonia Kennebeck
Submarine Cable Maps
Molly Crabapple
The Photographers Gallery
Charlotte Cook
Joe Sacco
Haroon Siddique
Eyebeam
Eyal Weizman
Artistic Journalism: An Introduction
Artists create a sinister deepfake of Mark Zuckerberg to teach Facebook (and the rest of USA) a less…
The Intercept
Art In The Age Of…asymmetrical Warfare
The Bureau Of Investigative Journalism
Mapping Wikipedia
Aesthetic Journalism
Journalism And Art: Complementary And Collaborative Storytelling
Wormwood
Want To Really Block The Tech Giants? Here's How
Money Lab
Black Audio Film Collective
Mark Duggan Police Shooting: Can Forensic Tech Cast Doubt On Official Report?
Tatiana Bazzichelli
Blockchain Risk Board Game Prototype: Capital Markets Digital Asset
Forensic Architecture
Ingrid Burrington
Project X
Aesthetic Journalism In Practice
Dronestagram