Forensic Architecture
Forensic Architecture
Rojava 2
John Akomfrah
Art As Evidence
Chlorine Gas Attacks In Douma
Fast Familiar
Charlotte Cook
Richard Mosse
Wormwood
The Intercept
National Bird
I Thought I Was Seeing Convicts
Harun Farocki
Brothers Of The Gun: Memoirs Of The Syrian War
Renzo Martens
Journalism Improves When Image Becomes Part Of It
Eyebeam
Maeve Mcclenaghan
Police brutality at the black lives matter protests
A Very Expensive Poison
Hito Steyerl
Laura Poitras
Kevin B. Lee
Josh Begley
Sophie Dyer
Remaining & Expanding
Money Lab
Eyebeam Center For The Future Of Journalism
The Bureau Of Investigative Journalism
Serial
Simon Denny
The Bristol Cable
Enjoy Poverty Interview With Renzo Martens
Imran Peretta
Naheem Mohaiemen
Tax Havens: Normalized Grand Theft
Joe Sacco
Bill Posters
Disruption Network Lab
15 Days
Is The Museum A Battlefield?
Reception Study
Redaction Paintings
Hans Haacke
Titanpointe: The NSA’s Spy Hub in New York, Hidden in Plain Sight
Jake Charles Rees
Ted Hunt
Field Of Vision: An Interview With Co-creators Laura Poitras, Aj Schnack And Charlotte Cook
Trevor Paglen
Project X
The Heroines Of America’s Black Press
Black Audio Film Collective
Lucy Prebble
Marisa Mazria Katz
Mairav Zonszein
Chloé Galibert-Laîné
Interdependence
Evidentiary Realism
Submarine Cable Maps
Goodbye Big Five
Two Meetings and a Funeral
Dronestagram
Nick Ryan
Best Of Luck With The Wall
Journalism And Art: Complementary And Collaborative Storytelling
Joseph Steele
Enron
AECD
Errol Morris
Absolute Relative
Artistic Journalism: Confluence In Forms, Values And Practices
Paolo Cirio
In A First, Palestinians Challenge Israel’s Settlement Enterprise—in A USA Court.
Every Contact Leaves A Trace: Follow The…
Haroon Siddique
From Message Board To Crowded Bar
What Atlanta Can Teach Tech About Cultivating Black Talent
Sonia Kennebeck
Mapping Wikipedia
Tatiana Bazzichelli
Mark Duggan Police Shooting: Can Forensic Tech Cast Doubt On Official Report?
Concrete Flux
Navine G. Khan Dossos
The Photographers Gallery
Handsworth Songs
‘They Will Remember Us’: The Miners Of Black Harlan
Art In The Age Of…asymmetrical Warfare
Caliphate
Conflicting Truth
Aesthetic Journalism
Aesthetic Journalism In Practice
Blockchain Risk Board Game Prototype: Capital Markets Digital Asset
Artists create a sinister deepfake of Mark Zuckerberg to teach Facebook (and the rest of USA) a less…
Scare Mail
Bottled Songs
Ingrid Burrington
Jenny Holzer
Benjamin Grosser
Eyal Weizman
Incoming
ICA
Smoking Gun
Henrik Moltke
Safe Area Goražde
Episode III 'Enjoy Poverty'
Sam Lavigne
Solveig Suess
Field Of Vision
Want To Really Block The Tech Giants? Here's How
Molly Crabapple
Palestine
Artistic Journalism: An Introduction
James Bridle
Arebyte
Infoesque
Alfredo Cramerotti