Concrete Flux
Concrete Flux
Brothers Of The Gun: Memoirs Of The Syrian War
Jake Charles Rees
Episode III 'Enjoy Poverty'
Enjoy Poverty Interview With Renzo Martens
Submarine Cable Maps
Artistic Journalism: An Introduction
Molly Crabapple
15 Days
Trevor Paglen
Josh Begley
Nick Ryan
Rojava 2
Blockchain Risk Board Game Prototype: Capital Markets Digital Asset
I Thought I Was Seeing Convicts
Sophie Dyer
John Akomfrah
Naheem Mohaiemen
Best Of Luck With The Wall
Arebyte
Black Audio Film Collective
Kevin B. Lee
Mapping Wikipedia
Chloé Galibert-Laîné
Alfredo Cramerotti
Tax Havens: Normalized Grand Theft
Conflicting Truth
Haroon Siddique
Police brutality at the black lives matter protests
Field Of Vision
Two Meetings and a Funeral
Ted Hunt
What Atlanta Can Teach Tech About Cultivating Black Talent
Richard Mosse
Henrik Moltke
Eyal Weizman
Dronestagram
Disruption Network Lab
Forensic Architecture
Mairav Zonszein
ICA
Handsworth Songs
Charlotte Cook
The Heroines Of America’s Black Press
Harun Farocki
Interdependence
James Bridle
Tatiana Bazzichelli
Hito Steyerl
National Bird
Titanpointe: The NSA’s Spy Hub in New York, Hidden in Plain Sight
Benjamin Grosser
Enron
Goodbye Big Five
Navine G. Khan Dossos
A Very Expensive Poison
Laura Poitras
Incoming
Ingrid Burrington
Aesthetic Journalism In Practice
Solveig Suess
Art In The Age Of…asymmetrical Warfare
Serial
Project X
In A First, Palestinians Challenge Israel’s Settlement Enterprise—in A USA Court.
Reception Study
Joseph Steele
Artists create a sinister deepfake of Mark Zuckerberg to teach Facebook (and the rest of USA) a less…
Imran Peretta
Journalism Improves When Image Becomes Part Of It
Smoking Gun
From Message Board To Crowded Bar
Mark Duggan Police Shooting: Can Forensic Tech Cast Doubt On Official Report?
Lucy Prebble
Simon Denny
Jenny Holzer
Palestine
Marisa Mazria Katz
Aesthetic Journalism
Caliphate
Eyebeam Center For The Future Of Journalism
Chlorine Gas Attacks In Douma
Bottled Songs
The Bureau Of Investigative Journalism
Maeve Mcclenaghan
Money Lab
Infoesque
Eyebeam
Redaction Paintings
Is The Museum A Battlefield?
Wormwood
The Bristol Cable
Art As Evidence
‘They Will Remember Us’: The Miners Of Black Harlan
AECD
Bill Posters
Sam Lavigne
Fast Familiar
Journalism And Art: Complementary And Collaborative Storytelling
Safe Area Goražde
Sonia Kennebeck
Absolute Relative
Evidentiary Realism
Every Contact Leaves A Trace: Follow The…
Artistic Journalism: Confluence In Forms, Values And Practices
The Intercept
Want To Really Block The Tech Giants? Here's How
Scare Mail
Paolo Cirio
Remaining & Expanding
The Photographers Gallery
Field Of Vision: An Interview With Co-creators Laura Poitras, Aj Schnack And Charlotte Cook
Joe Sacco
Renzo Martens
Hans Haacke
Errol Morris